Science fiction without a snark Didn't just materialize out of the dark In 1926, Hugo Gernsback, without a lot of glory Came to publish the first Amazing Stories
From the cover of this first, we might know The Hugo Awards emerged from Wells, Verne, and Poe The cauldron began stewing in the 19th century With a call of science fiction as being literary
Jules Verne pointed at the role of technology H.G, Wells offered his age's social commentary Most of all was Poe who seemingly would show The world how to write in his understated role
From his unparalleled adventure to the moon Science Fiction would develop in form soon In 1835, Hans Pfaall quietly pointed the way Without a lot of bravado but a lot to say
In an attempt to escape debt, a man sees An escape to the moon was his opportunity This moon trip shows deep thought and conscience It relies on the best of Poe's contemporary science
Eiros and Charmion's conversation on destruction Mellonta Tauta was Poe's futuristic construction Poe's further endeavors bore must inspiration Until Verne's Sphinx arose in a seeming dedication
H.P. Lovecraft was inspired into Mountains of Madness But it was Verne who was influenced without sadness To write epic after epic including the first moon shot Citing the name of Edgar Poe, least it be forgot
Though looking into details and getting things right There was a lot of wrongs that have since come to light It becomes a subject of context and what was known Then what developed, which remained to become shown
Too many critics find fault for following the possible Then dreaming of what might yet become the plausible Playing with the net up is seen as a sort of fallacy May it be suggested instead as the way of the literary
Lifelong, Verne wrote a series of journeys unordinary In fact, so magnificent as to be thought extraordinary Cliffhanger endings seem to demand the next story How else will we know what has happened with glory?
Verne despised Wells as creator of storied convenience Creating inventions as a matter of needed reliance Most of these inventions existed beyond known science This to Verne rattled against principles and conscience
Well recognized his stories played on the imagination Suggesting that he and Verne had different destinations Ones that both arise in the thoughts of one's mind Thoughts of the undoable do not require being blind
These are the things of a good and gripping dream And do not need to be any more real than they seem The practical view can also be the dystopian view Paris in the 20th Century plays on the wrong men do
The Eloi are creatures of the deepest pessimism Brought by The Time Machine as a social criticism The technological Morlocks breath the wretched decay That may yet arise from our ill regarded days
All the most technocratic bits we hide underground Might turn to dystopian futures when chased around Benjamin Disraeli's Sybil speaks of two coming nations Each pursuing their own ends without common destination
The War of the Worlds retells mankind's modern history One side technological and the other's loss, not a mystery Man in the Year Million may become heads and brains That is if the warnings of men like Wells prove in vain
(c) October 23, 2024 Michael Doyle All Rights Reserved
Heading out of Australia to escape this Aussie winter. First stop Japan, then UK/Ireland and if work doesn't call me back, onto Chicago. I will make it up as I go along
The Influence of Pulp Fiction
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Writer, poet, musician, surfer, father of two princesses.