The late 60s were a psychedelic dream Where sonic inspiration printed on silk screen. Everything London was the aspiration For all who dare to drive their imagination.
One man and his love of the bass Dared to look this straight in the face. Playing his soul for the benefit of rock, Who knew it'd end with a rainy-day shock.
Uriah Heep shaped his destiny As a swirling organ and on an operatic journey. The early Seventies brought them toward success. They were on the cusp of being among the best.
From Christ Church, Gary came on progressively And that lifted the rhythm of his musicality. Root notes were not enough for the harmony And there was more to say with a good melody.
He and the others swam a turbulent ocean Where to do music was to wear emotion. There was a bit of magic up his sleeve And he had enough competence to make others believe.
A sense of the melodious bred great fluidity That delivered on promises without cupidity. There's more than thunder in the bottom end's art, And Thain always did his best to play his part.
Gratitude for gifts given is truly transformative And when it comes to music, it's also informative. Unlocking the potential of living deliverance As if he had arrived with a direct line to providence.
Demons and Wizards had a counterpoint of delivery. It danced armed with guitar, breeding pages of history. Whether it is a driving pulse or complexity. A lot extra was delivered by his dexterity.
Something old that songs might borrow Seeking to say more seldom leads to sorrow. Let in a semblance of circular, melodic spaces, Magic lives in the warmth of musical graces.
(c) November 3, 2026 Michael Doyle All Rights Reserved
Heading out of Australia to escape this Aussie winter. First stop Japan, then UK/Ireland and if work doesn't call me back, onto Chicago. I will make it up as I go along